Tuesday, April 29, 2014

Charleston Cuisine

Elizabeth, food guide extraordinaire
The cuisine of Charleston chefs is a particular shade of Southern green; green in the sense of supporting local farmers by using their products in the dishes they create for the restaurant trade. Our beautiful and talented food guide did her research and steered us to some mighty good eats.  Here's a rundown on the places and dishes.

SLIGHTLY NORTH OF BROAD

Don't worry about the acronym. It doesn't ring true as you enter this one time warehouse turned restaurant venue. However, don't attempt to just drop in on this famed bistro as the wait list won't excite you. However, should you plan ahead and reserve a table, the food will get you energized. The wait staff is excited about their offerings and will describe them in delicious detail, including the sources. The busy open kitchen and front entry bar exude a buzz that makes you want to dive into the menu and try one of everything! For our Friday night dinner we began with the house Sangria punch and appetizers of caramelized pear salad with dried cranberries, blue cheese, pistachio nuts dressed in a champagne vinaigrette and a beet salad with radishes, orange pieces, ricotta cheese, pepperoncini on greens dressed with EVOO. Stunning in their simplicity yet interesting in the contrasting colors, tastes and textures, these salads would be great at a summer deck luncheon. The entree selections that we shared were stuffed Carolina quail breast with cornbread stuffing and braised greens and the inventive charcuterie plate laden with an impressive array of pate, mousse, rillettes, head cheese, three restaurant-made mustards, pickled okra, stemmed caper berries, cornichons and pickled onions on a bed of arugula with a generous side of grilled baguette.

S.N.O.B.
Speaking of okra, that oft-maligned mucilaginous green ribbed southern vegetable, let  me say a few words. I agree. All my encounters with okra as a Pacific Northwesterner have been gagging, to be sure. But in the South, where they know how to prepare okra, it is elevated to a delightful crunchy pickled vegetable, a different tempura-type appetizer and a solid, crisp last minute addition to main dishes although at times used as a thickener in the regional gumbo. Originating as a food crop in Africa, it made its way west to the New World in the 18th century with Portuguese slave traders who saw it as a cheap and healthy way to feed their captives. It was also brought by freed slaves who later returned from West Africa to supply their families in the New Orleans region with the religious-embued vegetable where it was made into a stew to please the gods of fertility and procreation.

HUSK

This award-winning restaurant occupies an historic house on Queen Street and makes strict use of only local ingredients as well as encouraging the revival of heirloom crops such as the ancient grain farro and sorghum, a grain-based syrup, by highlighting them on their menu. They eschew the traditional Southern foods such as fried chicken and collard greens in favor of more inventive offerings. Our appetizer was crispy julienned pig's ear in lettuce wraps with pickled cucumber slices, red onion dressed with teriyaki sauce. The accompanying Dragoon punch, sipped slowly as we relaxed on the front porch, was a wonderful taste of Charleston history. Dried black-eyed peas and overgrown dried okra pods made for interesting centerpieces on the tables.

Shrimp and Geechie boy grits, smoky tomato broth, wood fired ramps and sweet peas with surry sausage was an unusual presentation for the ubiquitous grits of the South. Served in a bowl rather than on a plate, it was a satisfying blend of comfort food with a touch of daring. The cornmeal fried oyster po' boys with fried potato wedges filled one diner's need for substance and the side of sweet cornbread was always at hand to fill any gaps.

Along the porch railing, planter boxes sported salad greens and other edibles as a decorative tribute to local produce. The unusual porch swinging benches provided amusing activity for young and old alike while waiting for seating. The rooms of the house are each used for a more intimate dining experience with original flooring, doors and windows adding to the Southern ambiance.

CHARLESTON COOKS

This East Bay Street kitchen equipment and supplies store offers a side room cooking experience in an expansive kitchen setting where classes are taught by seasoned chefs (yes, it was a pun) and guest cook-writers.  We attended a demonstration class where you sit at narrow tables, observe the prep and cooking process, take notes and then enjoy the results of the teacher's efforts. This class menu was smoked pork chops, Hoppin' John beans and rice, pineapple chutney and Chess pie. Along with the cooking instructions students get a local's view of Southern food history, anecdotes about traditions and hints on prep and cooking techniques. Of course you can buy all the tools and pans at the store.

The smoked pork chops were cooked on the stove top in a special smoking pan containing water-soaked wood chips, a rack for the meat and a sliding lid to contain the smoke. Unless you have a commercial ventilation system, this cooking method would be best done in an outdoor kitchen setting. The Hoppin' John is the basis for a one-pot meal as the Gullahs make, so that with the addition of more vegetables and perhaps some meat, it would be a complete meal. Here, it contained Carolina Gold rice, a short grain and locally grown rice, black-eyed peas that had been pre-cooked and bacon pieces also pre-cooked and chopped. The pineapple-raisin chutney, full of onions and peppers as well as the fruit was sweetened with brown sugar, given a tang from the vinegar and a little heat from the added Sriracha sauce. Cooked until thick, this piquant condiment perfectly offset the pork and livened up the Hoppin' John. These last two dishes made our Easter ham dinner one of the best ever!

Dessert was Chess Pie, the name derived by tale from a question and answer a Southern couple shared. He commented "What a delicious pie. What kind is it m'dear?" She replied "whah it's jes' pie." Hence, "jes' pie" became Chess Pie by auditory interpretation alone. In actuality, it is a warm chocolate mousse pie. The chef made hers in individual silicone cupcake "papers" to facilitate serving sizes. The pies easily pop out of the silicone forms so there is no messy pie cutting process. The demonstration lead me to purchase a set of forms and they really do make for easy baking. After class, we toured the kitchen shop and found several silicone-coated cooking utensils that we couldn't live without.

POOGAN'S PORCH

Named for a dearly departed pooch, this dining establishment also occupies an historic home on Queen Street, not far from Husk. Sated from a marvelous lunch AND the cooking class tastings, we stalled on getting to our reservation for the night. The waning light of sundown and the warm, slightly humid evening air brought us to this creamy yellow and white-railed house. It was as if we had been invited to dinner by the family and were ushered upstairs to a table by an open french door with a view of the pink building with white pedimented windows across the narrow street. Never in a rush, we were allowed plenty of time to relax and consider the menu which our waiter gladly expounded on as we inquired about his favorite dishes. The popular sweet cornbread made a timely appearance on our table and then the She-crab soup arrived. This was originally made with She-crab, or female crab roe, but as the crab population declined, the female crabs were declared endangered and not allowed to be taken from the waters. Now the soup is made from crab (male) meat, heavy cream and sherry with a tiny flourish of crab meat on top. Although touted as being an exquisite soup, I found it rather bland and would prefer my own seafood chowder to this variety.

Yielding to the siren song of Southern buttermilk fried chicken, I was completely taken with the preparation of this common fowl. It is marinated overnight in buttermilk, then dredged in a succession of flour and more buttermilk several times before being deep fat fried. Expecting some heavy, greasy exhibit of heart-clogging KFC-styled chicken, I was pleasantly surprised to bite into a light, non-greasy, juicy chicken breast faintly seasoned but thoroughly displaying the Southern touch. Mashed potatoes, gravy and fresh asparagus rounded out my plate, but the chicken was the star. I will certainly try my hand at this method with perhaps a pan-frying rather than deep fat frying.

Our other diners enjoyed iceberg wedge salad, reminiscent of salads before baby greens, dried cranberries and feta cheese became trendy and crab cakes with stewed tomatoes and crisp okra.  We left the fried alligator salad for another time. Doubling as a small entree, the fried green tomatoes were surprisingly crisp and actually tasty, contrary to my own late summer green failures which ended up hot and mushy and flavorless. Desserts were never tried as we were always too full by that time of night. The next trip perhaps?

HIGH COTTON

Our final morning in Charleston found us requesting less food but more sights. After an early morning cruise to and tour of Fort Sumter we returned to the East Bay Street area to have brunch at High Cotton.  This is another restaurant in the Maverick Southern Kitchen stable of eateries. Without reservations on a Sunday morning there was no table available so we opted for seating at the bar. Cheery, chatty bar maids made quick work of our orders and soon we were staring at way too much food!  The Farmer's Market omelet with a side of grits proved to be an overload. With a basket of sweet cornbread to boot, we could have shared this plate. But other, even more amazing plates arrived, one stacked with almond french toast looking more like a piece of art than a meal, and a grilled salmon salad outfitted in frisee, tomatoes and eggs in an herb caper vinaigrette. Locally roasted coffee soothed our taut tummies and reminded us of some pretty great Portland roasts that we love.

WAFFLE HOUSE

 Seen throughout the Southeast, this  24/7 single item menu greasy spoon diner happily embraced us as the only customers at 11 p.m. as we dogged our way north to Norfolk, Virginia. We had dallied too long at Myrtle Beach, enjoying the sunset and pastel colored, stilted beach houses there. But freshly baked waffles with a side of bacon or eggs and a cuppa really hit the spot as we contemplated another four hours of driving along unlit I-95. The staff was doing their nightly cleaning, busting a groove with their mops and brooms and singing along with the local radio rock and roll station. They were happy for a diversion from their work and attended to our every request with a smile. Every traveler to the southeastern seaboard should give this stop at least one try!

Next stop on the blog train is the Magnolia Plantation. It will be our last look at Southern history before we take up the great Northwest trails for a new season of sights and thrills. Stay with us!



Waiting for a table whilst rockin'


Upper balcony dining at Husk

Dinner in a planter box at Husk

Shrimp, grits and Dragoon punch


Kitchen at Charleston Cooks

Smoked pork chops, Hoppin' John and pineapple chutney


Diners at Poogan's Porch

Rocking bench



S.N.O.B. store front

Stairway at Poogan's

Almond French Toast at High Cotton

Farmer's Omelette and grits

Sunday morning jazz quartet at High Cotton

Sidewalk plaque

Myrtle Beach trio

Sunset at Myrtle Beach











Monday, April 28, 2014

Charleston History and Architecture

Driving northeast from Savannah, Georgia along the Atlantic seacoast we entered the historic city of Charleston, South Carolina. Founded in 1670 and named for King Charles I, it was a land grant to the king's buddies. They designed and developed it to be a great port town and banked on extensive shipping traffic to grow the population and wealth of the city. As a coastal metropolis, Charleston was also subject to attack by sea and had to defend itself against English, French and Spanish military assaults as well as protect its western back from Indian attacks. The current location of the city is on a peninsula of land at the confluence of the Ashley and Cooper Rivers as they meet in Charleston Harbor and flow into the Atlantic Ocean.

The Civil War was particularly devastating to Charleston, both economically and structurally. Without much money, the people had to restore the buildings and homes that survived. This proved to be of significant benefit as many of the historic places were thus preserved and are standing today! According to the National Parks Service "(these) buildings help to make Charleston one of the most complete historic districts in the country, with more than 1400 historically significant buildings." Tourism now contributes to the city's coffers and employs many in the service industries.

We decided to explore Charleston on foot rather than utilize the horse-drawn tour carts and buggies or the motorized buses with drivers rapidly pointing out notable sights. Strolling has the virtue of time and variable route, although the downside is blisters, thirst and seat-searching. Nonetheless, we embarked on a discovery tour of the historic district with vignettes of history posted along the way in the form of plaques, signs and statues.

Charleston is a foot BELOW sea level and is part of the area called the Lowcountry, which stretches from the ocean shores inland for about 50 miles. Indigenous Indians were growing corn, grits (a dried, coarsely ground cornmeal), squash and beans when the first white explorers arrived. Spanish explorers brought figs, pigs and peaches with them as well as the cooking methods of frying and blackening. French Hugenots came for religious freedom and introduced "fancy" five-course meals, the thickening agent roux (flour and butter paste), she crab soup, china place settings and company at the dining table. English traders introduced rice as a cash crop, having experimented with wheat and finding the soil too damp for it. This cereal crop made many large land holders rich and came to be known as "Carolina Gold". The workforce needed to plant, maintain and harvest this money-maker paid a high price of their own as the long hours in the sun, dangers from wild animals and reptiles and backbreaking labor cut many lives short.

Enslaved West Africans, "Gullah" or "Geechi" as they came to be called in their pigeon language, brought their own cultural additions to the area. They made one pot meals, primarily for convenience for cooking over a fire and limited cookware, and introduced okra in their gumbo as a thickener. There will be more about okra in the Charleston Food blog. The hush puppy or fried dough traditionally got its name because the cooks would tear off bits of the dough and toss them to the dogs hanging around the place in order to keep them quiet: hush puppy!

Sweet grass and reed grass were used by the Gullah for basket weaving, for which they are now famous. The weaving was done by taking thick strands of sweet grass and coiling them into basket shapes, securing the coils with darker strands of reeds sewn at right angles to the coils. They began as cheap containers for household and crop items but developed into objects of art as the weavers created colored designs and shapes on the baskets. Today at the Charleston Market there are basket stands on every corner and tourists purchase them as souvenirs of their travels. The baskets are extremely expensive now but are said to last a lifetime with proper care. When I asked if I could photograph one weaver, she refused but countered with an offer of either buying one of her baskets first, to the tune of about $60, or else buying an expensive and warm chocolate bar for her church coffers. I found another location and opportunity for free.
The Market row is a four or five block long roofed but open air display of all sorts of souvenir crafts and whatnots, mostly for the tourist trade. It is a modern rendition of the original market place where merchants came to sell their produce, meats and hand-made products. Fire and earthquake destroyed the early versions so that today's market has only a faint wiff of smokey barbeque, cheeses, sweets and basketry supplies.

Walking away from the bustling commercial district we entered more of the historic neighborhoods with their brightly painted, shuttered exteriors, multi-storied floor plans fronted by wrought iron balconies, brick-walled yards and lovely landscapes. I was soon besotted by the colonial architecture, each house more appealing than the last, cobblestone streets connecting front porches and iron trimmings deliciously appointing open shutters, door latches, garden gates and hand rails.
At one point as I leaned a bit too far into a pillared driveway entrance to photograph a beautiful paint-plant-gate combo, and inadvertently, innocently if you will, tripped an alarm and was startled back onto the center of the sidewalk in embarrassment. When no gendarme appeared amid flashing lights and sirens to arrest me, I put on a casual face and slowly sauntered away, trying to look as local as possible. Eventually the alarm ceased and I realized that the citizens no doubt tire of curious and perhaps invasive tourists poking around in their personal space. The alarm serves to keep them moving along quickly!

Eventually we began to feel as if we were drowning in the Southern architectural charm of Georgian, Federal, Greek Revival, Italianate and Queen Anne. None of the homes are small. They all reflect a certain economic and social status that peers down on you from third story dormers and palladian attic windows, suggesting the lowness of your social position as tourist. Arriving at the Battery walkway, we were met by warm, sweet ocean breezes and a waterway filled with Sunday sailors skimming along, their white canvases taut in the wind, the sun glittering on the choppy water. Puffy, alabaster clouds floated above the blue sea and birds played tag in mid-air. Dolphins cavorted further out among the boats, perhaps joining them in their route around the point. Ambling along the wide, Pennsylvania blue stone walkway that rims the Battery we encountered Waterfront Park, complete with statues of Commander Moultrie and other Southern war heroes, a gazebo decorated for a succession of weddings lined up on the lawn and cannons pointed in defense towards the open sea. Backing the park was a line of what is locally called Rainbow Row for the variety of paint colors on the huge homes there.

The weariness of trekking five miles over cobblestones and cement heightened the appeal of yet another wonderful Southern dinner. We headed back to the commercial district to arrive for our evening reservation and fodder for the next blog. Stay tuned foodies! It's going to be deliciously exquisite.

Historic District

Old Exchange and Provost Dungeon

Downtown

Aging shingles and railing

Colorful shingles pattern

April window boxes

St. Michael's

Wrought ironwork

City Hall

Multi-fireplace chimney

History "bites"

Original knob and lock

Typical fenced entry

House plaque

Beautiful handle

Privacy screen in door

Shoe scraper

More history on the run

Base of iron pillar

Handrail knob in brass

Old brick wall


Attorneys abound in Charleston


Decorative shutters

Iron gate

Wrought iron fencing

A conundrum 

Slightly North of Broad restaurant

Customs House ala Parthenon

Receipts = recipes in the South. Why?

Entrance to Charleston Market

Part of the story 

Shutter lock

St. John the Baptist church

Window box

Window pediment on Charleston pink

Period dressed hostess




Fancy garage doors

Lion door knocker

Beautiful hardware

Waterfront Promenade